96 × 90 ft stage
A wide-open production floor with the height and footprint for full set builds and multi-camera shoots.
A 96 × 90 ft production sound stage on the Strange Music campus — 35 × 25 ft cyc wall, full lighting grid, in-house ARRI and RED packages, and crew amenities under one roof. I build and run its public booking site.
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Snapshot pendingThe Soundstage at Strangeland is a purpose-built production stage on the Strange Music campus in Lee’s Summit, Missouri. The label’s own video and photo productions shoot here, and the room is open to outside crews who need real square footage, practical power, and on-site support.
96 × 90 feet of floor, a 35 × 25 ft cyc wall, a full lighting grid, Wi-Fi, a kitchen and dining room, a green room, and racks and production amenities — everything a crew needs to build, light, shoot, and strike in one place. Music videos, commercials, fashion editorials, album covers, set builds, tour rehearsals: if it needs room and rigging, it happens here.
A wide-open production floor with the height and footprint for full set builds and multi-camera shoots.
A seamless cyclorama, white included — paint it any color for a clean infinity background.
A full lighting grid, stage power, and Wi-Fi built in — rig and run without scrambling for distro.
Green room, kitchen and dining room, coolers and refrigerator — somewhere for the crew to actually work between setups.
Clothing racks, steamer and iron, tables and chairs — the wardrobe-and-staging gear a shoot day eats through.
Standard bookings run ten hours, with overtime billed in fifteen-minute increments after that.
In-house rental packages let a production walk in light and still shoot heavy. Industry-standard gear — cameras, glass, lighting, grip, and movement — available by the day or week, confirmed against the master inventory when a date is held.
Equipped by
Productions connected to the stage span sports, fashion, tech, and national brands:
The day rate includes the stage and its amenities — lighting grid, power, Wi-Fi, kitchen and dining room, green room, clothing racks, steamer and iron, tables, chairs, coolers, and refrigerator. Equipment packages are added on top.
The public site is how productions find the stage, size it up, and book it — so it has to load instantly and tell the truth. I run it as a fast static build on nginx: the space, a deep equipment list kept current against the owner’s inventory, transparent rates, a project gallery, and clean booking paths, with proper Open Graph cards so links render right when they get pasted into a production group chat.
A marketing site doesn’t need a database. Pre-rendered pages load instantly, never fall over, and every deploy is checked across phone, tablet, and desktop with a backup taken first.
See the space, equipment, gallery, and rates — or send an inquiry.